Українська English

Markiyan Nestayko, Candidate o Historical Sciences, Researcher of the Department of Scientific Research of Special Kinds of Documents of the Institute of Research of Library’s Art Resources of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv

Photos of Julian Dorosh on the pages of Lviv periodicals (on the example of a magazine “Literature and Art”)

DOI: https://doi.org/10.37222/2524-0315-2022-14(30)-14

The article reveals to the peculiarities of photography as an artistic direction and a component of a periodical publication, highlights the characteristic features of photographs that are used as illustrations for journalistic texts. Special attention is focused on the development of photography in the first half of the last century. Illustrative photos of Julian Dorosh on the pages of Lviv periodicals, using the example of the “Literature and Art” publication, were analyzed on specific examples. On the basis of the analysis, the methods and forms of the transmission of color pictures with the help of black-and-white photographs are distinguished.

Keywords: photography, Julian Dorosh, periodicals, visual art.

Full text

References

  1. Adamovych, B. (2005). “Dzvin”. Entsyklopediya istorii Ukrainy. Kyiv : Nauk. Dumka, 2, p. 376. [in Ukr.].
  2. Bart, R. (2022). Camera Lucida. Notuvannya fotografii [Camera Lucida. Photo notation], Kyiv, MOKSOP, 176 p. [in Ukr.].
  3. Karavayeva L., Laboyko M. & Tymets N. (comp., 2021). Halychyna XX st. u svitlynakh Yuliana Dorosha [Galicia of the twentieth century in photographs by Julian Dorosh]. Lviv : Apriori, 120 p. [in Ukr.].
  4. Hnatyuk, M. Narodne mystetstvo Pokuttya i Hutsulshchyny u svitlynakh Yuliana Dorosha [Folk art of Pokuttia and Hutsul region in the photos of Julian Dorosh]. Retrieved from: https://chtyvo.org.ua/authors/Hnatiuk_Mykhailo/Narodne_mystetstvo_Pokuttia_i_Hutsulschyny_u_svitlynakh_Yuliana_Dorosha. [in Ukr.].
  5. Demeshchenko, V. (2017). Fotohrafichne osvoyennya diysnosti [Photographic development of reality]. Retrieved from: https://academia.gov.ua/wp-content/uploads/2020/06/Visuality-as-the-Dominant-Feature-of-Modern-Culture.2017.pdf. [in Ukr.].
  6. Koba, A. (1995). Yulian Dorosh — pioner ukrayinskoyi kinematohrafiyi v Halychyni [Yulian Dorosh is a pioneer of Ukrainian cinematography in Galicia]. Naukovi zapysky Lvivskoho istorychnoho muzeiu, 4, 2, pp. 82–96. [in Ukr.].
  7. Krasnyk, U. (2016). Kamyanets-Podilskyy u svitlynakh Yuliana Dorosha (iz fondiv Lvivskoyi natsionalnoyi naukovoyi biblioteky Ukrayiny imeni V. Stefanyka) [Kamianets-Podilskyi in photos Julian Dorosh (of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv collections)]. Zapysky Lvivskoi natsionalnoi naukovoi biblioteky Ukrayiny imeni V. Stefanyka : zb. nauk. prats. Lviv, 8 (24), pp. 356–368. [in Ukr.].
  8. Lebedyeva, K. “Svitlo i tin” ukrainskoi fotografii [“Svitlo i tin” of ukrainian photography]. Retrieved from: https://chytomo.com/ekzempliary-xx/svitlo-j-tin-ukrainskoi-fotohrafii/. [in Ukr.].
  9. Kovaliv, U. I. (comp., 2007). Literaturoznavcha entsyklopediya [Literary encyclopedia] u 2 t. Kyiv, Akademiia, 1, 624 p. [in Ukr.].
  10. 10. Patron, I. (2021). Tvorcha spadshchyna halytskoho operatora ta rezhysera Yuliana Dorosha (20–30 rr. ХХ st.): arkhivni poshuky [Creative heritage of the Galician cameraman and director Julian Dorosh (20–30s of the XX century): archival searches]. Retrieved from: https://eprints.oa.edu.ua/8497/1/культурологічні%20читання_2021.pdf. [in Ukr.].
  11. Polotnyuk, Y. (1999) Yulian Dorosh — fotohraf, zachynatel profesiinoho natsionalnoho kino v Halychyni [Yulian Dorosh — photographer, initiator of professional national cinema in Galicia]. Halytska brama, 9–10, p. 26. [in Ukr.].
  12. Reva, L. & Levytska, O. (2016). Literaturna periodyka [Literary periodicals]. Ensyklopediia suchasnoi Ukrainy, 17 : Leh-Loshch. Kyiv, pp. 501–503. [in Ukr.].
  13. Sereda, O. (2014). Yulian Dorosh yak populiaryzator ukrainskoho fotomystetstva ta zachynatel kinematohrafichnoho rukhu na terenakh Halychyny mizhvoyennoho periodu [Julian Dorosh as a popularizer of Ukrainian photography and a beginner of the cinematographic movement in Galicia in the interwar period]. Zbirnyk prats Naukovo-doslidnoho instytutu presoznavstva. Lviv, 4 (22), pp. 525–535. [in Ukr.].
  14. Trachun, O. (2010). Fotografiya v Ukraini 1839–2010 [Photography in Ukraine 1839–2010]. Harkiv : Saga, 216 p. [in Ukr.].
  15. Henning, M (2018). Photography — The Unfettered Image. London : Routledge. Retrieved from: https://repository.uwl.ac.uk/id/eprint/3390/. [in Eng.].
  16. Kracauer, S. (1997). Theory of Film. The Redemption of Physical Reality. Retrieved from: https://cominsitu.files.wordpress.com/2020/09/siegfried-kracauer-theory-of-film_-the-redemption-of-physical-reality-princeton-university-press-1997.pdf. [in Eng.].
  17. Ray, L. (2020). Social Theory, Photography and the Visual Aesthetic of Cultural Modernity. Retrieved from: https://journals.sagepub.com/doi/full/10.1177/1749975520910589. [in Eng.].

 

Catalogues